Texts - Lou Stoppard

What Somaya Critchlow Sees: Six months with one of the most talented painters of her generation, FT Magazine, November 2024.

Doll world: inside the collections of the rich and famous, FT Magazine, July 2024

The Party as Studio, Sanlé Sory, Night Fever: Film and Photography After Dark, (ed. Shanay Jhavari), The Shoestring Publisher, June 2024

The Blue Café, Mary Stephenson at MASSIMODECARLO Pièce Unique, Paris, April 2024

Being Creators: Miuccia Prada and Raf Simons, T Magazine China, December 2023

Sam Youkilis – Somewhere 2017-2023, Loose Joints, 2023

Inside the elite British college for the world’s best nannies, FT Magazine, April 2023

Saul Leiter, Thames and Hudson, 2023

Echo. Wrapped in Memory, Lanoo Publishers, 2023

Girls Girls Girls, Lismore Castle Arts, 2022

How Conservatives Weaponized Photographs in the Campaign against Abortion, Aperture, September 2022

On the hunt for oligarchs in the ‘wild west’ of corporate intelligence, FT Magazine, April 2022

What Should Hang on the Walls of a Hospital, The New Yorker, July 2021

Julian Schnabel: an audience with the ‘master’, HTSI, FT Weekend, February 2021

Can Fashion Photography Survive the Pandemic? The New York Times, October 2020

The Fashion Image After Nan Goldin, Aperture, June 2020

How an Irreverent and Joyful Interiors Magazine Redefined the Idea of Home, Aperture, Spring 2020

The Art of the Swimming Pool, HTSI, FT Weekend, March 2020

In Memory of the Englishman Who Kept a Shark on His Roof, New Yorker, May 2019